EN
The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.
Sir Georg Solti

25 March 2020, 15.00-16.30

Old Academy of Music, Chamber Hall

Concert of Friendship Through Music

Cancelled

Liszt: Années de pèlerinage, Première année: Suisse – 6. Vallée d’Obermann (Vallée d'Obermann)
Liszt: Consolation No. 3
Liszt: Années de pèlerinage, Troisième année – 4. Les jeux d’eaux de la Villa d’Este (Evening) 
Liszt: Années de pèlerinage, Première année: Suisse – 4. Au bord d’une source 
Chopin: Nocturne in F minor, Op. 55/1
Debussy: Suite Bergamasque – 3. Claire de lune
Sibelius: Romance, Op. 24/9
Palmgren: 24 Preludes, Op. 17 – 12. The Sea
Schumann - Liszt: Liebeslied (Widmung)
Schumann: Arabeske, Op. 18
Puccini: „O mio babbino caro” – Lauretta's Aria from the opera Gianni Schicchi
Yamada: Akatombo
Okano: Momiji
Okano: Oborozukiyo
Okano: Furusato
Liszt: Festpolonaise

Rika Kanetaka, Hiromi Nomoto (soprano)
Akihiko Kijima, Mie Komatsu, Mayumi Iwakura, Rika Kanetaka, Atsuko Tobita, Mayumi Miura, Izumi Tajima, Kazuhiro & Mayumi Miura (piano)

Tickets:

Admission is free, subjected to the capacity of the room.

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