The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

16 September 2022, 18.00-20.00

Old Academy of Music, Chamber Hall

Liszt Museum Evening Concert

Judith Neszlényi Presented by Liszt Academy

Cancelled

Mendelssohn: Rondo capriccioso, Op. 14
Schubert: Piano Sonata No. 13 in A major, D. 664
Dohnányi: Ruralia hungarica, Op. 32a – 3. Andante poco moto, rubato; 7. Molto vivace
Vecsey: Valse triste
Vecsey: Caprice No. 2 (‘Fountain’)
Liszt: Consolation No. 3
Liszt: Liebesträume (Three Notturnos)– 3. O lieb, o lieb, so lang du lieben kannst
Liszt: Hungarian Rhapsody No. 13

Judith Neszlényi (piano)

Tickets:

Admission is free, subjected to the capacity of the room.

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