The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Dénes Várjon & Concerto Budapest • 2.1

1 April 2023, 19.30-22.00

Grand Hall

Bartók Spring International Arts Weeks

Dénes Várjon & Concerto Budapest • 2.1

Bartók: Rhapsody for Piano and Orchestra, BB 36b [Op. 1]
Bartók: Scherzo for Piano and Orchestra, BB 35 [Op. 2]
J. S. Bach: Brandenburg Concerto No. 3 in G major, BWV 1048
Beethoven: Symphony No. 7 in A major, Op. 92

Dénes Várjon (piano)
Concerto Budapest
Conductor: András Keller

There can be little doubt that Bartók’s music is particularly close to the worlds of Bach and Beethoven. The works of these two composers throw into relief the powerful roots of Bartók’s music with which it clings to music history, while their proximity also reveals its newness. The inspiration of nature will also play a prominent role at the concert of Dénes Várjon, András Keller and the Concerto Budapest, which will be closed with the Pastorale Symphony, one of Beethoven’s most unique and in some ways most daring compositions: it pulsates with the natural power of village dances, as do the fast movements of Piano Concerto No. 1, which stem from the Baroque and throb evenly.

Presented by

Müpa, Liszt Academy Concert Centre

Tickets:

HUF 2 900-7 500