The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.
Ligeti: Concert Românesc
Mozart: Piano Concerto No. 17 in G major, K. 453
INTERMISSION
Rimsky-Korsakov: Scheherazade, Op. 35
Jonathan Biss (piano)
Concerto Budapest
Conductor: András Keller
Concerto Budapest
HUF 3 100, 3 900, 4 800, 5 900, 7 500
