10 October 2026, 19.00-21.00
Solti Hall
Sonus Cordis Quartet
Chess Pieces
Chess Pieces I.
New quartet pieces by Máté Balogh, Máté Bella, Balázs D. Kecskés, Bázsa Rubin Szabó, Péter Tornyai & Anna Virág
Chess Pieces II.
Webern: Six Bagatelles, Op. 9
Chess Pieces III. (Medley)
Bartók: String Quartet No. 4, BB 95 » 4. Allegretto pizzicato [Pawn]
Haydn: String Quartet No. 62 in C major, Hob. IIII:77, Op. 76/3 (ʻEmperorʼ) » 2. Poco adagio, cantabile [King]
Janáček: String Quartet No. 1 (ʻThe Kreutzer Sonataʼ) » 1. Adagio – Con moto [Queen]
Haydn: String Quartet No. 59 in G minor, Hob. III:74, Op. 74/3 (ʻThe Riderʼ) » 4. Finale. Allegro con brio [Knight]
Stravinsky: Three Pieces for String Quartet [Rook]
Haydn: The Seven Last Words of Our Saviour on the Cross, Hob. XX:1B » Il terremoto [Bishop]
Sonus Cordis Quartet: Eszter Krulik, Róza Lachegyi (violin), Boglárka Szűcs (viola), Flóra Matuska (cello)
Chess is far more than a mere game; it is a universal, timeless symbol of logic, strategy, and the shifting tides of social order. In this concert, the various layers of the game’s meaning are brought to life through the lens of the string quartet – both as an ensemble and a genre.
The evening opens with a collective work conceived by composer Máté Balogh. He invited a group of fellow composers to translate the character, movement, or form of a specific chess piece into music; the figures were assigned by mutual agreement based on each composer’s personal affinity.
The second half of the programme features a curated historical cross-section designed by Balogh and violinist Eszter Krulik, leader of the Sonus Cordis Quartet. They have selected movements from the classical quartet repertoire that evoke strong associations with particular chess pieces. The programme is rounded off by the intricately woven, concise Bagatelles for string quartet by Anton Webern.
Presented by
Liszt Academy Concert Centre
Tickets:
HUF 3 500
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