The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Henning Kraggerud & Franz Liszt Chamber Orchestra

20 April 2020, 19.30-22.00

Grand Hall

Henning Kraggerud & Franz Liszt Chamber Orchestra

Cancelled

Wolf: Italian Serenade
Henning Kraggerud: Suite from Suite from Equinox – excerpts
Grieg: Sonata for Violin and Piano No. 3 in C minor, Op. 45 (transcription by Henning Kraggerud and Bernt Simen Lund for violin and string orchestra)
INTERMISSION
Grieg: String Quartet No. 1 in G minor, Op. 27 (transcription for string orchestra)

Henning Kraggerud (violin)
Franz Liszt Chamber Orchestra (concertmaster: Péter Tfirst)

Henning Kraggerud is one of the finest Norwegian musicians. His name is also known to a Budapest audience after his several performances in Hungary. The Franz Liszt Chamber Orchestra have also played with the artist; the fascinating experience of their combined play prompted the formation to once again extend an invitation to him to join them in this most promising recital.

 

 

Presented by

Liszt Ferenc Chamber Orchestra Foundation

Tickets:

HUF 2 900, 4 800, 6 000, 8 500, 12 000