Liszt and the Arts: International Interdisciplinary Conference
Liszt and the Arts: International Interdisciplinary Conference
Budapest, November 18–20, 2011
Preliminary schedule of papers (Stand: July 15, 2011)
November 18, Friday | |
9:00 a.m. | |
Opening ceremony | |
Walker, Alan: Liszt as the Cultural Ambassador of the 19th century | |
Szegedy-Maszák, Mihály: The Literary Canon of F. Liszt | |
Mueller, Rena Charnin: Prepositions, Prefaces, and Pericopes: Liszt’s Extra-Musical Looking Glass | |
11:30 a.m. | |
Session A | Session B |
Kregor, Jonathan: Forging "Paganinis of the Piano": Nineteenth-Century Traditions of Artistic Mimesis | Lelièvre, Stéphane: Quand Franz Liszt fait de George Sand l’héritière d’E.T.A. Hoffmann |
Kovács, Imre: Homage to Beethoven in Danhauser’s painting Erinnerung an Liszt | Montemagno, Giuseppe: Les Fleurs du Mal. Franz Liszt et M. d’Agoult, sources d’inspiration pour George Sand |
Stegemann, Michael & Stahl M., Christina: ’Hexenmeister’ und ’Titan’ – Franz Liszt und Ludwig van Beethoven: Eine vergleichende Ikonographie | Gracza, Lajos: Daniel Sterns Abschiedsgedicht an Franz Liszt |
2:30 p.m. | |
Gut, Serge: Des Harmonies poétiques et religieuses de Lamartine à celles de Franz Liszt | |
Altenburg, Detlef: Liszt and the spirit of Weimar | |
4 p.m. | |
Session A | Session B |
Kaczmarczyk, Adrienne: The Chant of the Anchorites (To the sources of „Ce qu’on entend sur la montagne”) | Brussee, Albert: The Mazeppa-sketch from Sketchbook N6 of Franz Liszt |
Winkler, Gerhard: Tasso-Spiegelungen. Byron – Goethe – Liszt | Bloom, Peter: Berlioz and Liszt “in the Locker Room” |
Fallon-Ludwig, Sandra: Narrative Inspiration in Liszt’s Symphonic Poems: The Cases of Hunnenschlacht and Tasso, lamento e trionfo | Reynaud, Cécile: Présentation d’une édition critique du texte de Liszt: Berlioz et sa symphonie Harold |
Liu, Yen-Ling: Listening as Gazing: Synaesthesia and the Double Apotheosis in Franz Liszt’s Hunnenschlacht | Le Diagon-Jacquin, Laurence: Le texte sur « Le Persée de Benvenuto Cellini » de Liszt: un manifeste artistique? |
November 19, Saturday | |
3 p.m. | |
Dalmonte, Rossana: Rethinking the influence of Italian poetry and music on the young Liszt | |
Redepenning, Dorothea: Liszt und die bildende Kunst – systematische Überlegungen | |
4:20 p.m. | |
Session A | Session B |
Domokos, Zsuzsanna: Gretchen’s figure in Liszt’s musical interpretation | Pastor Comín, Juan José: Revisiting Petrarch’s Sonnets: Franz Liszt’s Hermeneutical Readings |
Moysan, Bruno: Liszt, lecteur antimoderne de Faust | Navarrini dell’Atti, Lucia & Annarosa Vannoni: L’oeuvre de Dante Alighieri: une source d’inspiration pour Augusta Holmès et Franz Liszt |
Dufetel, Nicolas: „Qu’est-ce que l’Art ?” Nouvel essai esthétique. Liszt, la marquise de Blocqueville et le traité esthétique inédit de la princesse Carolyne zu Sayn-Wittgenstein | Mitsopoulou, Evangelia: Liszt’s Dante Symphony, a “multimedia” innovative work and Genelli’s paintings |
Lacchè, Mara: „L’esprit de la statue me parlait.” La dimension apollonienne de la sculpture dans l’imaginaire musical Lisztien | Baranyi Anna : Fülöp Ö. Beck’s Liszt interpretation in his 1911 series of plaquettes |
November 20, Sunday | |
9:30 a.m. | |
Hamburger Klára: Trois odes funèbres | |
Grabócz Márta: The aesthetical concept of 'Memento mori' (or 'Vanitas') and the works of F. Liszt | |
11 a.m. | |
Session A | Session B |
Merrick, Paul: “Christ’s mighty shrine above His martyr’s tomb.” Byron, and Liszt’s journey to Rome | Yu, Grace: Intermediality and Liszt’s Il Pensieroso |
Cannata, David Butler: Acolyte & Rubrician: Liszt and the Art of Liturgy | Vester, Anne: „Der Himmel weiß! in welchem Geistesstall er sein nächstes Steckenpferd finden wird“ - Liszts Interesse an den Schönen Künsten mit den Augen Heines gesehen |
Pesce, Dolores: The “Individual” in Johann Friedrich Overbeck’s and Franz Liszt’s Seven Sacraments | Storino, Mariateresa: The neverending story: Jeanne d'Arc au bûcher |
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Watzatka, Ágnes: Puszta, Hussaren und Zigeunermusik: Franz Liszt und das Heimatbild von Nikolaus Lenau | Deere, Joanne: A New Perspective on Liszt’s Hamlet |
Dullea, Rhoda: Populism and Nationalism in Liszt’s Des Bohémiens et de leur musique en Hongrie | Boenke, Patrick: Collapse and dismantlement – On form and dramaturgy in Liszt's late symphonic poem From the Cradle to the Grave |
3 p.m. | |
Haine, Malou: L’éducation par l’art selon Liszt (basé sur les lettres de Liszt à Marie von Sayn-Wittgenstein) | |
Loos, Helmut: Liszt, Mendelssohn und die Künste (im Spiegel der Briefe Mendelssohns) | |
16:20 p.m. | |
Session A | Session B |
Francis, Suzanne: Liszt at the Piano: The Impact of Iconography on mid-Nineteenth Century Musicology | Zicari, Ida: Liszt's music interpreted by choreographers |
Keeling, Geraldine: Liszt at the Piano: Two American Pianos and Two American Artists (2 paintings: Chickering/Healy 1868, Steinway/Johansen 1919) | Windhager Ákos Károly: Cine-fantasies on Liebestraum Nr. 3 |
5:10 p.m. | |
Taruskin, Richard: Liszt and bad taste | |
Eckhardt, Mária: Closing words | |